![INTERNATIONAL WORKSHOP IN THEORY AND SOUND III](/uploads/2024/07/image-1024x575.jpeg)
Location
Argalasti, Greece
Following last September’s catastrophic floods in the Pelio and Thessaly regions the 3rd International Workshop in Theory and Sound explores ideas defining water’s agential matter, such as flow, overflow, debris, leakage, torrent, inundation, tidal waves and tectonics, ruination, cataclysm, mud, mold, dripping, pollution, among others, along with their political/ecological resonances in sound. The “Daniel” and “Elias” storms foregrounded processes of neoliberal water politics and eco-governmentality variously regulating sensibilities of “nature”, the “state”, the “citizen” and their interfaces, sensibilities promoting a future-oriented agenda for nature’s domestication and market-oriented hydrospheric “development”. At the same time, their eventful auralities drew our attention to water’s “unknowability” (Neimanis 2017) and “inter-agentivity” (Ingold) as well as to water as a “hyperobject” (Morton 2013), powerful enough to disorder, rupture, dissolve, probe the limits of, even undo, human and more-than-human lives, rebooting the way we reason the world we now live in.
How can we make sense of such sonic hydrologics and their “spacetimematterings” (Barad 2007) along with their vocabularies of deviance, impossibility, excess, loss and resilience? In what ways do they reforge the geographies, transform the landscape, the lived modalities, the phantasmatic assemblages and the strategies of its dwelling? In what ways do they give voice to the question of what it means to dwell? How might diverse terrains of livelihood and their ongoing “reconfigurings” (Barad ibid.) witness, archive, become attuned to, texture and perform memories of the aquatic disaster, with its human and more-than-human catastrophes, vulnerabilities, struggles and healings and their far-reaching ec(h)opolitical implications and diffractions? These and similar questions are entangled with the ΙSTW’s firm orientation towards the critical revisiting and un-learning of the “Mediterranean” sound archive and its diverse – (post)colonial, imperial and nationalist – ontologies and knowledge economies.
The 3rd International Sound and Theory Workshop is co-organized by:
The “Mobility Studies » Postgraduate Programme and the Social Anthropology Lab (Department of History, Archaeology and Social Anthropology), University of Thessaly
Department of Culture, Creative Media and Industries, University of Thessaly
Department of Architecture, University of Thessaly
Organising committee: Elpida Karaba, Elsa Kiourtsoglou, Petros Phokaides, Dafni Tragaki, Elena Tzelepis
Images source : Martha Feldman (header) and Brandon Labelle (left)
Monday, 26 August
18:00 Introduction
Elpida Karaba, Elsa Kiourtsoglou, Petros Phokaides, Dafni Tragaki, Elena Tzelepis
18:30 – 21:00
Beyond the Aesthetics of Disaster: Echoes from Thessaly’s Post-Flood Landscapes
18:30 – 18:40
Introduction
18:40 – 19:00
Hydro-Cultures of Thessaly in a Diachronic Perspective
Sofia Papamargariti, Panos Balasis
19:00 – 19:30
Sympathy for the Devil
Nicolas Remy, Evangelia Paxinou, Petros Flampouris
19:30 – 20:00
Skamandros or Notes for an Ark
Phoebe Giannisi
20:00 – 21:00
Discussion
Chairs: Petros Phokaides, Elsa Kiourtsoglou
Tuesday, 27 August
10:00 – 12:00
Drumming Water – Creative Lecture in Three Parts
Brandon LaBelle, Guest Speaker
Chair: Dafni Tragaki
18:30 – 19:30
From the Margaroni Residency (Thessaly, Xirómero, Athens) to Xirómero/Dryland (Venice Art Biennale 2024)
Thanasis Deligiannis
19:30 – 20:30
Aquatic Mythologies, Haunted Listening and the Undercurrents of Water
Dāna Papachristou & George Samantas
20:30 – 21:00
Discussion
Chairs: Elpida Karamba, Elena Tzelepis
Wednesday, 28 August
10:00 – 12:00 Open Discussion
Chair: Martha Feldman